Muay Thai is not only a physical combat sport but also a deeply cultural and spiritual experience The music that plays in the Muay Thai stadium includes Wai Kru music and Sarama (traditional Muay Thai fight music that played during the fight. This blog will break down the origins, characteristics and the importance of Muay Thai music, with the focus of two key elements. Wai Kru and Sarama Muay Thai music to highlight how they connect fighters to Thai heritage.
Wai Kru Ceremony
The music that plays before the Muay Thai fight is called “Wai Kru” (ไหว้ครู) or also known as the Wai Kru Ram Muay. The Wai Kru, meaning “paying respect to the teacher”, is a significant tradition in Muay Thai, symbolizing gratitude to teachers, trainers, family, and ancestors who have guided the fighter’s journey.
The music for the Wai Kru played on traditional Thai instruments such as:
- Pi Chawaa (the woodwind instrument)
A wind instrument that produces sound through the vibration of the reed. The instrument played an important role in various royal ceremonies as early as the early Ayutthaya period, such as royal processions, weapon dances, Muay Thai ceremony, etc. - Klong Khaek (drums)
It is a type of percussion instrument with a long, cylindrical shape, covered with a calfskin or goatskin on both sides. The drum body or drum frame can be made from various types of wood, but hardwood is commonly preferred for making the drum frame. - Ching (small cymbals)
The ching is a type of Thai percussion instrument made of thick cast brass with flared, circular openings. It comes in a set of two cymbals. To play the ching, the edge of one cymbal is struck against the other and then lifted, producing a long, resonant sound.
In Thai culture, it is believed that this ritual and the traditional music refers to protection and good luck from guardian spirits. There are several types of Wai Kru music. These are the 3 of the Wai Kru music we have put out in our channel (Original Muay Thai Music).
- Pak Tai Ban Rao – Muay Thai Song translates to “Our Southern Homeland” and is likely a traditional or regional Muay Thai song that originates from the southern part of Thailand. This type of song may reflect the cultural pride and identity of southern Thailand, where Muay Thai is deeply ingrained in the local heritage. The lyrics and melody often carry emotional or nostalgic tones, celebrating the beauty, culture, and traditions of the southern region.
- A Ne De De – Muay Thai Song refers to a traditional Muay Thai song or chant often used during ceremonies or fights. This style of music is deeply rooted in Thai culture and is typically performed using traditional instruments.
- Nabi Nabi – Muay Thai Song refers to a traditional Thai song often associated with Muay Thai. In this context, “Nabi Nabi” likely represents the rhythmic chant or melody commonly used during Muay Thai fights or rituals. These songs are deeply tied to the Wai Kru Ram Muay ceremony, where fighters honor their teachers, family, and the art of Muay Thai before stepping into the ring.
Sarama – Muay Thai fight music
Once the Wai Kru ritual is complete, the focus shifts to the fight itself, and the tempo of the music changes dramatically. This is when the Sarama, the traditional fight music of Muay Thai, begins to play. Sarama is an essential part of the Muay Thai match, this music is play in a backdrop during the fight. They usually play very intensely, fast, dynamic, and repetitive beats that hype up the action in the ring.
Sarama music features the same instruments as the Wai Kru music, but they are played with greater intensity and urgency. The musicians who play Sarama often adjust the tempo and intensity based on the flow of the fight. The music becomes faster and more intense, amplifying the excitement for both the fighters and the audience. Conversely, during slower moments or breaks, the music may soften, creating a sense of anticipation.
The psychological impact of Sarama on fighters should not be underestimated. The music can act as a form of psychological conditioning, helping fighters enter a state of flow where they are fully immersed in the present moment.
In Muay Thai matches typically consist of either 5 rounds of 3 minutes each or 3 rounds of 3 minutes per round, depending on the format of the fight.
In Modern adaptation, the role of live musicians remains a crucial part of Muay Thai events, particularly in prestigious stadiums such as Lumpinee and Rajadamnern. The presence of live musicians ensures that the music can be adjusted in real time to match the flow of the fight, creating a more authentic and immersive experience. Outside of Thailand, recorded Sarama music is often used, especially in amateur and professional events where live musicians may not be available.
If you’re looking for a recorded sarama music, check out Sarama Muay Thai music on our channel (https://youtu.be/gPE-RxAxg-4), provided with variety of versions: 1 hour long play, 5 rounds Muay Thai match, and 3 rounds Muay Thai match.
Muay Thai music, covering the ceremonial Wai Kru music and the dynamic Sarama fight music, is an essential component of the sport that transcends mere entertainment. It is a living tradition that connects fighters and audiences to the cultural and spiritual roots of Muay Thai. It is not only enhances the sensory experience of the fight but also serves practical, psychological, and symbolic purposes. As Muay Thai continues to grow on the global stage, preserving the integrity of its traditional music is vital to maintaining the authenticity and cultural significance of this ancient art form.
